Simon Leys, The House of Uselessness – Collected Essays
Do you grieve at the thought that your life must come to an end? The alternative could be worse – Swift showed it convincingly in Gulliver’s Travels. Arriving in Luggnagg, Gulliver heard of the existence of “Immortals” among the local population. From time to time a child is born with a large round mark on his forehead, a sure sign that he is a “Struldbrugg”: he will never die. This phenomenon is not hereditary; it is purely accidental – and extremely rare. Gulliver is transported with wonderment: so, there are some humans that are spared the anguish normally attached to our condition. These Struldbruggs must be able to store a prodigious wealth of moral and material resources through the ages – a treasure of knowledge, experience and wisdom! In the face of Gulliver’s enthusiasm, his hosts can scarcely hide their smiles. Though the Strudbruggs are indeed immortal, they do age: after a few centuries they have lost their teeth, their hair, their memory; they can barely move; they are deaf and blind; they are hideously shrunken with age. The natural transformation of language deprives them of all means of communication with new generations; they become strangers in their own society; burdened with all the miseries of old age, they survive endlessly in a state of desolate stupor. The progress of medicine provides us today with good illustrations of Swift’s vision.
We never cease to be astonished at the passing of time… This shows clearly that time is not our natural element: would a fish ever be surprised by the wetness of water? For our true motherland is eternity; we are the mere passing guests of time. Nevertheless it is within the bonds of time that man builds the cathedral of Chartres, paints the Sistine Chapel and plays the seven-string zither – which inspired William Blake’s luminous intuition. “Eternity is in love with the productions of time.”